The world’s most beloved detective, Hercule Poirot–the legendary star of Agatha Christie’s Murder on the Orient Express and most recently The Monogram Murders and Closed Casket–returns in a stylish, diabolically clever mystery set in the London of 1930…
Rating: 3.5 stars
Clearly, the idea of a Hercule Poirot novel written by someone other than Agatha Christie is a controversial topic. Sophie Hannah has been writing the New Hercule Poirot Mysteries for a while now, but this was my first book by her, and I was reasonably apprehensive and excited. Excited, because Poirot is my favourite. Apprehensive, because I wasn’t sure if I’d like Sophie Hannah’s take on him. I must say I was quite happy with how it turned out to be.
Although it is unfair to compare these books with Christie’s originals, such a comparison is inevitable. I thought the mystery aspect was quite Christie-like. The plot is gripping and also quite entertaining. Like many of the original Poirot novels, this book describes a plethora of interesting characters. The setting is still the 1920/30s; I think Sophie Hannah managed to make it all sound genuinely 20th century while also retaining her 21st century sensibilities, if that makes any sense. Hannah also retains Christie’s free-flowing easy language, which I absolutely love. However, I do think it’s best to go into the book considering it a separate work, to avoid the pointless disappointment of it not being exactly like Christie’s books.
I was a little disappointed with the ending. It was not bad, but I expected something more unexpected, I guess? One other major problem I had was the shifting POV style, which was somewhat hazy to me. The story begins with Poirot’s POV, which I did not like, because Poirot has always been sort of removed and enigmatic and I preferred it that way. After 4-5 chapters, the POV shifted to Inspector Edward Catchpool, whom I really liked. He wasn’t absolutely stupid (unlike most cops in detective novels) and his voice was funny and engaging. For the rest of the story, the POV kept switching between the two, because Poirot and Catchpool seemed to be working on different parts of the case at the same time. I personally prefer to read from the eyes of a trusted companion like Watson or Hastings who will follow the case entirely on Poirot’s side and will faithfully report it all.
Overall, I would recommend this to any fan of Christie who is ready to read Sophie Hannah’s version of Poirot with an open mind. Poirot is just as eccentric as ever, and the mystery is mostly dependent on Poirot’s “little grey cells”, so I was happy. As a person who isn’t into fan fiction, I was pleased with Sophie Hannah’s reasonably original take on my favourite character and do plan to try out upcoming installments in this series.
Click here to buy this book: https://www.amazon.com/Mystery-Three-Quarters-Hercule-Mysteries-ebook/dp/B0756DWP21